Educating Rita Coursework
Educating Rita Coursework
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Educating Rita Coursework Sample
In Educating Rita, Rita's husband, Denny ( Malcolm Douglas), may be in work but he is crippled by his narrowness of vision and inability to accept his wife's desires to be independent and to 'find herself'. On discovering the birth control pills which she has been hiding, he burns her books (which include Chekhov) in a fit of impotent rage. In Dancin' Thru the Dark, also based on a Willy Russell play ( Stags and Hens), Dave ( Conrad Nelson) aspires to be 'a happy nomark.' At the end of the film he is unable to stand, virtually comatose with drink, and is abandoned by his fiancée, Linda ( Claire Hackett) who decides to leave both him and Liverpool. Similarly, in Letter to Brezhnev, Tracy's ( Tracy Lea) boyfriend, Mick ( Ted Wood) is presented as typical of the Liverpool men from whom Elaine ( Alexandra Pigg) wishes to escape. He is unemployed and primarily interested in Tracy's 'purse', ending his relationship with her once she is made redundant (and her redundancy money has been spent). In Rita, Sue and Bob Too, the combination of unemployment and alcoholism has turned Sue's father ( Willie Ross) into a figure of impotence. 'You've done nowt and you've been nowt', as his wife derisively tells him. Even Sue's boyfriend Aslam ( Kulvinder Ghir), who is initially gentle and gauche, turns jealous and physically violent. In doing so, he provides an ironic confirmation of a remark made by Sue earlier in the film. 'I've never been out with a Paki before', she tells him, 'but then again I don't suppose you'll be different from any other men.'
It is, perhaps, not surprising then that very few of the northern working-class films of the 1980s are centrally concerned with male characters. Those that are reveal some of the changes which the working-class hero has undergone. Vroom ( 1988), written by the playwright Jim Cartwright and directed by Beeban Kidron, is probably the film which quotes the conventions of 1950s and 1960s realism most directly, self-consciously reworking many of their themes and motifs. The film is set in a northern working-class town where Jake ( Clive Owen) is a young working-class lad on the dole. He is not, however, ground down by his situation. He yearns for escape and, at the beginning of the film, is seen running up a hill with his friend, Ringe ( David Thewlis).
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